Make Open Captions the Standard for English-Language Films at NYFF and MoMA

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The Issue

New York is one of the most multilingual cities in the world, yet at two of its most important cinemas, understanding an English-language film still depends on luck.

 

At Film at Lincoln Center and MoMA, open captions — captions printed on the screen for everyone — are offered only for select screenings. For most English-language screenings, the alternative is a personal closed-caption device: a small screen borrowed from the box office and mounted on a cup holder. These devices run out of battery, malfunction, and force viewers to split their attention between the screen and a second screen.

 

That is not equal access. It excludes Deaf and hard-of-hearing audiences, it excludes the millions of New Yorkers for whom English is not a first language, and it frustrates everyone else when dialogue is buried under sound design, accents, or mumbling — the exact films NYFF and MoMA are known for.

 

This matters most when there is no second chance. At NYFF, most English-language films screen only a handful of times during the festival. At MoMA, many titles screen only once or twice a year. When those screenings include a director Q&A, the film itself is the conversation — if you miss the dialogue, you miss the Q&A too.

 

We ask Film at Lincoln Center and MoMA to:

  1. At NYFF, make open captions the standard for all English-language screenings, starting with every screening with a director Q&A, introduction, or talk.
  2. At MoMA, make open captions the standard for English-language screenings shown only once or twice a year, starting with every screening with a director Q&A, introduction, or talk.
  3. Publish the open-caption schedule when the programme is announced, not after tickets go on sale.
  4. Treat cup-holder caption devices as a supplement, never as a substitute for open captions.

Open captions cost little. They are already the standard for non-English-language films, which screen with English subtitles as a matter of course. English-language audiences deserve the same.

 

Sign if you have ever missed a line, borrowed a broken device, or skipped a screening because you could not be sure you would understand it.

The Decision Makers

Rajendra Roy
Celeste Bartos Chief Curator of Film, MoMA
Dennis Lim
Artistic Director, New York Film Festival
Daniel Battsek
President, Film at Lincoln Center

Supporter Voices

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