Thank you for your engagement and for your thoughtful response to Tony Matelli's Sleepwalker, which was installed this afternoon on the Wellesley campus.
Art has an extraordinary power to evoke personal response, and to elicit the unexpected. We placed the Sleepwalker on the roadside just beyond the Davis to connect the exhibition -- within the museum -- to the campus world beyond. I love the idea of art escaping the museum and muddling the line between what we expect to be inside (art) and what we expect to be outside (life). I watched from the 5th floor windows today (intermittently, over several hours) as students stopped to interact playfully with the sculpture. They took selfies with him, snapping pics with their phones, and gathering to look at this new figure on the Wellesley landscape -- even as the snow fell.
Matelli's Sleepwalker -- considered up close -- is a man in deep sleep. Arms outstretched, eyes closed, he appears vulnerable and unaware against the snowy backdrop of the space around him. He is not naked. He is profoundly passive. He is inert, as sculpture. But he does inspire narrative. He appears to have drifted away from wherever he belongs and one wonder why; one wonders also how he has gotten so lost, so off course. He is a figure of pathos, and one that warrants measured consideration. Perhaps he carries metaphorical weight.
Art provokes dialogue, and discourse is the core of education. In that spirit, I am enormously glad to have your response.
Ruth Gordon Shapiro '37 Director
Davis Museum at Wellesley College