Petition to Jason Blum
Cast Robert Englund As Dr. Loomis In The Halloween Sequel
This petition was created to allow fans of the Halloween series a direct say in a very salient part of the next film. In short, we think none other than the original Freddy Krueger himself, Robert Englund, would be the perfect person to play Dr. Samuel Loomis. He has the look, the age, and the of course, the acting skills, to play Michael Myers most dedicated foe. Of course, this is considering the fact that Dr. Loomis might not play a role in the next film, and Mr. Englund could ultimately decide he isn't up for the part - IF it's available. So with all things considered, let's make this happen Blumhouse!
Petition to Netflix, HBO, Stephen Emond, Alloy Entertainment, Warner Brothers, ABC, FOX Broadcasting Company, NBC, Amazon, Riddle Films
Make "Bright Lights, Dark Nights " book into a film/tv series
Summary: Walter Wilcox's first love, Naomi, happens to be African American, so when Walter's policeman father is caught in a racial profiling scandal, the teens' bond and mutual love of the Foo Fighters may not be enough to keep them together through the pressures they face at school, at home, and online This story is so relevant to whats happening today. One of my favorites stories by one of my favorite authors. Alot people wants to see the journey between Naomi and Walter
Petition to Creative Artists Agency Los Angeles, Bryan Lourd, Alex Mebed, Paul Thomas Anderson
Bring Paul Thomas Anderson to Emerson College
I'll keep this short and simple. Paul Thomas Anderson (Boogie Nights, Magnolia, The Master) is one of the greatest auteurs of the 21st century. He's a six-time Oscar nominee and is the only person to win directing awards at all the top international film festivals (Cannes, Berlin, and Venice). His 2007 film There Will Be Blood was recently ranked by the New York Times as the best film of the 21st century so far. If for some reason you're unfamiliar with his work: http://www.imdb.com/name/nm0000759/. Before PTA began directing features, he spent a year studying English at Emerson College and was even taught by David Foster Wallace. However, he left once Wallace left and used the money he saved to make his short film Cigarettes & Coffee. It was a hit at the 1993 Sundance Film Festival and launched his career. 25 years later, Paul Thomas Anderson's films are constantly in discussion amongst Emerson students. He has a pure sense of focus, emotion, and energy, unlike any other director. He creates characters and worlds that stick with the audience well after viewing. He also takes risks: making frogs fall from the sky, harmoniums appear out of nowhere, and even getting Mark Wahlberg to expose himself. Overall, he expresses himself and impacts his viewers in a way that all filmmakers aspire to. Emerson College already hosts bi-weekly screenings of independent films followed by discussions with the filmmakers, known as the Bright Lights Film Series. I speak on behalf of the student body in saying that we welcome Paul Thomas Anderson to join this series and come back to Emerson to host a screening/discussion of one of his films. Whether it be one of his classics or his new film set to release this Christmas, we'd love to have him share his experience, knowledge, and passion with the young artists at Emerson. If Paul Thomas Anderson or his management at Creative Artists Agency Los Angeles gets notice of this petition, please contact Anna Feder (firstname.lastname@example.org). She is the Director of Programming in the Visual Media Arts department at Emerson College and curates the Bright Lights film series. Thank you, and please share this petition with other Emerson students and alumni! *Cover photo is property of Port Magazine, photographed by Stefan Ruiz: http://www.port-magazine.com/film/the-master-director-paul-thomas-anderson/ *
Petition to LA Weekly
An Open Letter to the Film Lovers of Los Angeles: Cinefamily and the Chance for Change
Over the past month, the “Rise and Fall of Cinefamily," with its allegations of sexual assault and a toxic work culture, has been a deeply troubling saga for those of us in the Los Angeles film community to observe. The recent extremely well-written LA Weekly piece of that name has prompted us to write this open letter and add a voice to the conversation. It is a voice which we haven’t yet heard, addressing the second part of the headline—“Can It Be Saved?” An important preface: We want to be clear on our stand on the allegations. We believe the victims. If you haven’t read Amber Tamblyn’s amazing New York Times op-ed on that subject, it's perfect, it leaves nothing further to be said. We are at a time in history where women are refusing to remain silent any longer about the discrimination and harassment we suffer every day, and that is a huge step forward and took a lot of bravery from all concerned. As we can see from recent events with the Alamo Drafthouse, the issue of unsafe cultures for women in repertory cinema exhibition is much bigger than Cinefamily. Calling it out wherever it exists sends a strong message that this type of behavior is no longer tolerated in our community. It should be heard loud and clear, by everyone in power, and remembered when they are thinking about what kind of organizational cultures they are creating in their movie theaters or anywhere else. Don’t make it one where women, LGBTQ, and people of color aren’t safe, valued and respected. You will not get away with it any longer. That being said, as we look to the future, it prompts the question—What happens to Cinefamily now? Namely—we are hearing that behind the scenes, it’s not a discussion about what culture a reopened theater should have. Rather, Cinefamily is in mortal danger, with the most likely scenario being it doesn’t come back at all. Partially because it’s not clear whether there would be an audience to come back to. What we haven’t yet heard mentioned as part of this ongoing dialogue is: If all the things that were good about Cinefamily are lost to the L.A. community as a result of this situation, the misogynists who were forced out still win in the end. Because we, the community, are losing something we liked as a result of what they did. We’ll just take a moment to list some of our favorite things about Cinefamily for the past 10 years: First and foremost, the community, which was the closest to a 50/50 gender ratio of any repertory theater in town. That it provided a place for non-film-historian-type people like comedians, artists and musicians to do shows involving film and pop-culture with a lot of freedom and creativity. That its approach mixing the highbrow and the lowbrow provided a powerfully juxtaposed mental space to think about genre things critically, and make intellectual things viscerally enjoyable and get more people interested in them. And that, whatever was going on backstage, the actual movies shown were profusely diverse and didn’t exclude female, LGBTQ or POC voices at all. If those things disappear because of negative influences, the punishment for the actions of the few is going to be executed on the innocent many. In our opinion—That’s unfair. Even more powerfully—if Cinefamily DID somehow manage to come back with the above strengths, and with a newly healthy culture for the people who work and watch movies there—It would actually be a huge “in your face” to all of the misogyny in repertory movie-going nationwide. If Cinefamily just gets destroyed and not rebuilt, while yes, it sends a great message that we don’t tolerate misogyny, it’s not as powerful a message as rebuilding it into what we do want to see would be. And that is not going to happen without the will of the public demanding its survival. We've created this open letter to find out if that will is indeed there. If it is, we believe all things are possible. Your signature, or lack thereof, is your power to affect how this story will end: in destruction, or in redemption. Sincerely, Debbie Jhoon, Tina Huang, and Karla Mosley, 1:1 Productions
Petition to The Walt Disney Company
Spielberg For Episode IX
Since a director is needed for the final film in the trilogy there is no better choice for the helm than the very accomplished Mr. Spielberg, who was once slated to direct one of the Original Trilogy films. A Spielberg Star Wars film. Imagine.