Petition to Warner Brothers, Orion Pictures, Milos Forman, Warner Home Video, Michael Hausman, Bertil Ohlsson, The Criterion Collection
Have the Theatrical Cut of Amadeus (1984) released on bluray
The Theatrical Cut of Amadeus has, basically, been extinct since the inferior Director's Cut was released. Still to this day, there hasn't been a bluray release of the Theatrical Cut, the version fans and critics have loved since 1984. The new generation has been down-grading this masterpiece because of the added scenes and fans cannot enjoy it in all its glory like they did back in the day. These factors have affected the film's legacy and now it has become a forgotten masterpiece. Warner Bros, as well with the director Milos Forman and Orion Pictures, can act to make a difference and release the Theatrical Cut in a new restoration, that will be glorious to watch. Also, with the addition of Dolby Atmos and 4K, this could bring much more life into the picture and offer a greater experience. The PG rating will also attract young audiences into this film and learn the true beauty of cinema, as opposed to the longer, rated R version of the film that mostly patient adults will find enjoyment in. The Original Theatrical Cut has always been my favorite film, since I first saw it on DVD when I was 11 years old. I have had other people borrow my copy and they too love this movie as much as I do. I watched it with my whole family and we all gazed up at our TV screen in wonder. Unfortunately the Theatrical Cut is very rare to come across these days, being overshadowed by the inferior Director's Cut that has already been transfered to bluray. I don't want to have the original cut become extinct and WE, the fans of the academy award winning masterpiece, can prevent that from happening by insisting on a new restoration of the Theatrical Cut we love and contacting the studio and director. Please sign this petition as this is very personal to me and many others. Just one signature from you can hugely helps us bring this cut back to life. Your signature COUNTS.
Petition to Richard L. Gelfond, Greg Foster, IMAX , Edwards Irvine Spectrum 21 IMAX & RPX, Regal Entertainment Group
Help Save the IMAX 70MM Film Projector at 'Edwards Irvine Spectrum'!
Hello, I am an aspiring film editor who is inspired greatly by IMAX. 'Edwards Irvine Spectrum 21 IMAX & RPX’ has been the home of a true 8 Story Tall IMAX 70MM Film screen and projector ever since it’s grand opening in 1995. I remember my first movie going experience was in that theater in IMAX while watching Disney’s “Fantasia 2000” on IMAX 70MM Film when it opened in 1999; and ever since then I have never looked at going to the movies the same ever again! I bring up this pressing issue because I’m very close with the IMAX division at the theater and I have heard that by the end of 2018 the IMAX 70MM Film projector will be completely disassembled and discarded out of the this historic theater; reason being that staff feels in training new hires with the skills required to thread and project film is a waste of time. Case in point, I've helped out at certain IMAX installations at this location through my love of the format and experience in my filmmaking career. Only two members at the location know how to thread and properly set up IMAX 70MM Film Prints and honestly, through my eyes, have just come to be lazy about it. It's very disappointing for me to have learn about this, as I'm sure it is for you the reader. The IMAX Theatre at ‘Irvine Spectrum’ has been the hotspot to the biggest movie going events and openings of all time. With the release of “The Dark Knight”, the first commercial Hollywood film to shoot select sequences with IMAX 70MM Film Cameras, this theater in particular made people aware of IMAX’s true potential and the most incredible way to watch movies; when shot with an IMAX 70MM Film Camera. And ever since then, IMAX 70MM Film releases (such as “The Dark Knight Rises”, “Interstellar”, “Star Trek: Into Darkness”, “Mission: Impossible - Ghost Protocol”, “Star Wars: The Force Awakens”, “Dunkirk”, and much much) more saw filmgoers driving from the Los Angeles and San Diego areas for these true IMAX screenings. ‘Edwards Irvine Spectrum 21 IMAX & RPX’ has even hosted guests who have traveled from out of state to experience the biggest films shot with IMAX Cameras. Los Angeles houses an IMAX 70MM Film Projector at ‘AMC At Universal City Walk’. But the issue with that location is that it’s IMAX screen is almost half the actual size and it does not give an audience the true geometry of the IMAX Experience. IMAX was founded upon the principle of filming and presenting IMAX captured films to its truest and highest quality form; even if shot with a digital IMAX camera or simply an IMAX DMR conversion. With all of these digital IMAX or ‘LieMAX’ screens taking over the industry, these new generation of moviegoers are being cheated out of experiencing the truest and most beautiful way to experience movies in IMAX. As a filmmaker myself, I can truly relate to my fellow filmmakers who really appreciate celluloid film, especially IMAX 70MM Film, and how beautiful and rich an actual celluloid film presentation is. IMAX 70MM Film is still scientifically the highest resolution you can film and present movies in; even beyond the state of the art digital presentations. I’ve been very lucky to obtain some very special IMAX 70MM Prints over time and I have to tell you all that it’s a true privilege to preserve these beautiful pieces of art that these theaters and employees treat the IMAX format as if it's a waste of time and irrelevant. Myself, my fellow filmmakers, IMAX fans, and especially the O.G. employees at IMAX, know the importance of preserving IMAX 70MM Film for generations to come! So please stand with me and don’t let one of the very few last true IMAX 70MM Film projectors and screens be taken away from arguably the most famous IMAX theater in Southern California; and from an audience that truly respects and appreciates it’s majesty! Please sign and share; and please help prevent this horrible incident from occurring in the cinematic and moviegoing community!
Petition to firstname.lastname@example.org
Say 'Yes' to Novato Theater! Let’s Do This, Novato!
We, the undersigned Novato residents, business owners, and entertainment lovers urge the City Council to make our beloved Novato Theater a reality. The Novato Theater board is asking the City of Novato to co-sign a line of credit they are negotiating with a local Bank. The Theater board has over $1.5 million in pledges that will be released as soon as the line of credit is established. It is a no cost plan for the City of Novato to finally make this dream a reality. A downtown, community centered, cinema and entertainment venue is wanted, and needed. Let’s stand up for what we believe Novato can be! Please, City Council members, vote YES to co-signing this line of credit. Thank you!
Petition to People of Davao City
Bring Balangiga to Davao
The 2018 Gawad Urian and Famas Best Picture winner and Qcinema 2017 Best Picture received a zero rating from the Cinema Evaluation Board (CEB) just days before its wide release in Metro Manila last month. A ZERO rating means, filmmakers will not receive any incentive from CEB. The CEB was established to encourage filmmakers to create HIGH Quality films by giving incentives represented by their ratings. An "A" rating means that the filmmakers will get 100% of the amusement tax and for "B" films, they will get 65%. It's also important to note that filmmakers can only upgrade their films from "B" to "A". Receiving a ZERO rating is irrevocable. Balangiga: Howling Wilderness is about the Balangiga massacre of Eastern Samar during the American-Philippine war. Director Khavn Dela Cruz and other filmmakers have since petitioned interested individuals to help get Balangiga in cinemas nationwide. By signing in this petition, not only do you help serve great films to the Filipino viewers but you agree that Balangiga deserves to be screened in Davao. If this petition finds the right people, we'll definitely be glad to see you during the screening! To Philippine Cinema!
Petition to The Walt Disney Company, Disney, The Walt Disney Company Benelux
Breng 'A Wrinkle In Time' naar Nederlandse bioscopen/support the Dutch theatre release!
[ENGLISH text below, please scroll down] Wij, Women’s March the Netherlands en CINE.nl, namens de inwoners en het bioscooppubliek van Nederland, roepen Disney NL en The Walt Disney Company op om de Nederlandse release van ‘A Wrinkle in Time’ op 4 april 2018 door te laten gaan. Op 19 maart jl. kondigde VPRO Cinema aan dat ‘A Wrinkle in Time’, de baanbrekende film van regisseur Ava DuVernay met rollen van o.a. Storm Reid, Oprah Winfrey, Mindy Kaling en Reese Witherspoon, niet meer in de Nederlandse en Belgische bioscopen wordt uitgebracht. Wij zijn extreem teleurgesteld in deze onverwachte beslissing waarover geen verdere uitleg is gedaan. Women’s March Netherlands en CINE willen daarom het maatschappelijk belang van deze film onderstrepen: De film laat het belang zien van representatie: een Afro-Amerikaans meisje speelt de hoofdrol, en vele van de prominente bijrollen worden ook vervuld door mensen van kleur, juist de mensen die zichzelf nauwelijks vertegenwoordigd zien in films (en al helemaal niet in sciencefiction films); De film laat het belang van sterke vrouwelijke karakters in cinema zien, welke ook ondervertegenwoordigd zijn; De regisseur van de film, Ava DuVernay, heeft als eerste vrouwelijke Afro-Amerikaanse regisseur een budget van 100 miljoen dollar gekregen om een belangrijk verhaal over volharding en diversiteit neer te kunnen zetten. Het feit dat er niet eens een reden wordt gegeven door Disney NL waarom deze film niet in de Nederlandse en Belgische bioscopen wordt uitgebracht is nog schokkender. De verklaring kan duidelijk niet liggen in de verkoopcijfers in Amerika: er zijn vele andere films die een soortgelijke openingsweek hebben gehad maar vervolgens wel uit kwamen in Nederland. Dat leidt dus tot twee mogelijke verklaringen, die beide even onrustbarend zijn: Disney NL heeft niet het vertrouwen dat het Nederlandse en Belgische publiek zich kan vinden in een film waarin vrouwen centraal staan, en/of waar mensen van kleur meer vertegenwoordigd zijn dan in andere films. ‘A Wrinkle In Time’ is een film die gedreven wordt door vrouwen, maar dat betekent niet dat het alleen maar een meisjes-film is. Iedereen kan zich vinden in de boodschap en verhaallijn; sterker nog, dit soort films worden constant uitgebracht met mannen en jongens in de hoofdrollen, maar trokken toen ook vrouwen en meisjes in het publiek. Wat voor een signaal geeft Disney NL af door te besluiten dat juist deze film niet in Nederland en België wordt getoond? Dat het bioscooppubliek niet op waarde wordt geschat, omdat Disney denkt dat de film niet voldoende mannelijke of witte kijkers trekt? En al zou de film alleen maar voornamelijk vrouwen trekken, dan behoort dit nog geen probleem te zijn: er worden namelijk voortdurend zogenaamde ‘chick flicks’ ingezet die (in tegenstelling tot ‘A Wrinkle in Time’) enkel zijn gericht op het vrouwelijke publiek. Wellicht dat er bij Disney NL de opvatting bestaat dat een film waarin mensen van kleur centraal staan niet succesvol genoeg kan zijn in Nederland. Onze samenleving is met zo’n 200 nationaliteiten echter zeer divers, net als ons bioscooppubliek. Daarom is het juist belangrijk om deze innovatieve en toegankelijke film te tonen in de bioscopen. Een gemiste kans voor diversiteit, maar ook voor de inkomsten van Disney, die het blijkbaar prima vindt om miljoenen Nederlanders over het hoofd te zien. Sowieso zou Disney NL beter moeten weten dan zich hierdoor tegen te laten houden, vooral vanwege het recente succes van ‘Black Panther’ in Nederland. Zoals Entertainment Business schrijft: “In drie weken tijd bracht deze film in Nederland meer dan 5,6 miljoen euro op. Ter vergelijking: de animatiefilm Ferdinand bracht in elf weken een vergelijkbare omzet (5.9 miljoen) op. Het vakblad Variety meldt dat Black Panther de 33e film ooit is die wereldwijd meer dan een miljard dollar opbrengt. Extra bijzonder is dat de film dit bedrag realiseerde in 26 dagen.” Kortom: er is geen enkele reden om A Wrinkle in Time niet in Nederland en België uit te brengen. Op z’n minst zou het mogelijk moeten zijn om een limited release in een selectief aantal bioscopen te realiseren. Wij roepen Disney NL daarom op om z.s.m. te reageren en met ons samen te werken om de April release van deze film te laten doorgaan. Was getekend, Women’s March the Netherlands CINE.nl View 'A Wrinkle in Time' trailer: https://www.youtube.com/watch?v=UhZ56rcWwRQ ============================================= ENGLISH VERSION: We, Women’s March the Netherlands and CINE.nl, on behalf of Dutch cinema audiences, call on Disney NL and The Walt Disney Company to not cancel the Dutch release of ‘A Wrinkle in Time’, originally scheduled to premiere on April 4th, 2018. On March 19th, VPRO Cinema announced that ‘A Wrinkle in Time’, the groundbreaking movie by director Ava DuVernay with roles by Storm Reid, Oprah Winfrey, Mindy Kaling and Reese Witherspoon among others, is no longer scheduled to be released in Dutch and Belgian cinemas. We are extremely disappointed by this sudden decision, which has arrived without any further explanation. Women’s March Netherlands and CINE therefore want to emphasize the social importance of this movie: The movie shows the importance of representation: the lead role is played by a young black girl, and many other roles are also played by people of color, who are underrepresented in movies in general, but the science fiction genre in particular; The movie shows the importance of strong female characters in cinema, who are also underrepresented in movies in general; Ava DuVernay is the first female African-American director who received a budget of 100 million dollars for a movie, and created this important production which she clearly positioned as a story about endurance and diversity, providing role models that are never cast in this light. Even more shocking is the fact that Disney NL never issued an explanation on why the movie won’t appear in Dutch and Belgian cinemas. The amount of tickets sold in the opening week in the US can’t be too blame: many other (young adult) movies have had a similar opening week, which was still followed by a release in the Netherlands. This leads one to suspect there are two possible explanations, which are equally worrisome: Disney NL doesn’t believe that the Dutch and Belgian audiences can relate to a movie that centralizes female characters, and/or that features people of color more prominently than other movies. ‘A Wrinkle In Time’ is a female-driven movie, but that doesn’t make it a women’s or girls’ movie: as a matter of fact, movies generally portrays men and boys in the lead, but still managed to attract both men and women audiences. What kind of signal is Disney NL giving off by deciding to not show this movie in the Netherlands and Belgium? That they don’t trust filmgoers to relate to a movie that doesn’t revolve around white and/or male characters? Even if the movie would only draw female audiences, there’s no reason why this should be a problem: there are plenty of ‘chick flick’ releases throughout a year that are aimed at female viewers alone (unlike ‘A Wrinkle in Time’, which is accessible for all audiences). Perhaps Disney NL may feel that a movie with people of color in leading roles can’t be successful enough in the Netherlands (or Belgium). However, with as many as 200 nationalities living in our country, we’re a pretty diverse group of citizens and filmgoers. That’s why it’s important to show this innovative and accessible movie in our cinemas. A missed opportunity to show diversity, but also a loss for profits, as Disney NL apparently sees no harm in overlooking millions of Dutch people and potential ticket buyers for this movie. Disney NL should know better than to let any of those reasons stop them. The current success of ‘Black Panther’ in the Netherlands demonstrates that cinema audiences have no trouble relating to a cast of primarily people of color. As Entertainment Business writes: “Within three weeks, Black Panther made more than 5.6 million euros in the Netherlands. A quick comparison: the animation movie Ferdinand took eleven weeks to sell a comparable amount of tickets (5.9 million euros). Variety magazine indicates that Black Panther is the 33rd movie ever to make more than a billion dollars worldwide. This is particularly special since the movie managed to do this within 26 days.” In short: there is no reason not to release ‘A Wrinkle in Time’ in the Netherlands and Belgium. At the very least, it should be possible to launch a limited release in a couple of select cinemas. We call upon Disney to respond to us as soon as possible and to work with us to make the April release of ‘A Wrinkle in Time’ possible in the Netherlands and Belgium. Signed,Women’s March the Netherlands CINE.nl